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Printing your work can be a very satisfactory experience. The degree of control you have when you do it yourself is unsurpassed and can be extremely worthwhile. There is also the feeling that you get when you keep one of your photos in your hand, which just can not be beaten. With classic shiny, shine or matte paper is certainly a very good way to work with most of your pictures, but there are some unique and alternative ways that can convey even more figure into your printed photo. Here are a few fascinating ones that you should check.
How to write cockemaking, "sustainability and digitization are mega trends. So, as inventor of digital fine-style papers, what could be more natural than for us to develop sustainable papers?" And that's exactly what this manufacturer has with its Natural line trio made of inkjet papers made of agaves, bamboo and hemp materials. Each of these three "green" papers consist of sustainable sources that contain no optical brighteners and are still acidic and lignin free for archivalability. While the finished papers are not remarkably not unique, p>
Based on a classic Japanese papermaking method and style, Murakumo Kozo is from the factory from the AWAGAMI factory. Murakumo Kozo with machine processes for the replication of Washi style is a soft, strong and semi-transparent paper. This is because of the partner, in part, for the use of kozofasern of mulberry trees, which give this paper a naturally warm sound. It also feels very light in the hand with a weight of only 42 g / m² and a thickness of 6.3 mils (0.16 mm) and is well suited for backlit applications as well as the reproducing of the look and the feeling of antique Print or texts. This is a very special paper for certain applications. You will find it in A4 and A3 + blatten or 36 "width rollers.
Reach the watercolor look with your digital printing using the Watercolor Rag Paper by CANSON Infinity. Whether you want to print art representations or want to give your photos a new look, the different texture of watercolors rag can do the trick. The maps looks and feels like traditional watercolor media, but was formulated with the right coatings to support dye and pigment-based inks of common photographs. Heavy weight at 240 or 310 GSM and with a thickness of 18.4 mils (0.47 mm) this paper will feel firm in hand. It is also made of 100% cotton, has a warm-white matte finish and lets OBA (Optical Helling Agent) for longevity. It is a unique, fun paper to test and you will find it in 8.5 x 11 ", 11 x 17", 13 x 19 ", 17 x 22", and 24 x 36 "leaves or 17-, 24 -, 36-, 36- and 44 "width roles.
Epson's line of older papers is how they put it, "designed for artists who want to sell their prints." Among them are the Smooteren Board and Baryta papers that follow a cult, and the slightly structured fiber paper, but then there are etching paper, the dark and niche of the quartet. The older etch paper is intended to replicate the appearance and feeling of the "old world" handmade papers and etching cushions, but obviously updated to adapt their use with contemporary ink jet printers. With regard to the end, it is a matte paper with a fine, subtle but existing texture and has a high brightness, although no OBAs included. It is available in 8.5 x 11 ", 13 x 19" and 17 × 22 "blobes and 17, 24 and 44" x 50 'rolls.
At least one metallic paper had to create the list, and Moabs SlickRock Metallic Silver 300 is one of the popular options out there. It is available in a variety of sizes, from 5 x 7 "and 8.5 x 11" to large 44-inch rollers.Metallic papers can polarize - they either love them and hate them - but it is undeniable that they bring a inherent pop and dynamic feeling for almost any picture. Moabs Slickrock Metallic has an ultra-shiny high gloss finish and an immediate dry coating for easy handling.
What's your go-to-paper? Are one of these unique offers to perform it soon through your printer? Let us examine your thoughts in the section Comments, below!
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