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a few weeks ago, all three of the bay of Catherine Robertson, the Gabriel novels of Gabriel's Bay novels, made the Nielsen Top 10 charts. But the series over a small town full of hard cases, very almost not. She retires the veil.
I wrote Gabriel's bay because I was with my editor on a thin ice and had to give them a book they could sell. My debut novel had been a commercial success, the second and the third in the series did not. They were romantic comedy, chicks illuminated, but I had not fully understood the reader expectations of this genre, which proved to be the ideal path not to meet them. Nothing like a Marian Keyes-loving visitor, who calls her book "a piece of Tosh" to give you a hint that something is wrong.
In today's business lingo, I peeled. The hidden places came out in 2015, and I just want to say that it was marketed as commercial women's fiction, a very brainy book is. There are stories lines that are Greek myths in the panel, a wealth of folklore and TS Eliot, and a whole chapter set in World War II is to look around the Dante Inferno. The hidden places won a small price and received beautiful reviews, but it did not sell enough copies. Publishers are people, but the publication is a business, and no matter how much they like them, they will not always throw money after them. The ice under me was thin and crunching.
I had never had contracts for my books in advance. I sit down to write, and 100,000 plus words and a big part of my year later would wait - often months - to hear if it had been accepted. I knew my fifth book to be a cut if I had a chance this time. It would have to write fresh, more commercial, better - I have to seriously occur. What I acted instead was a ma in creative writing. A whole year of the increase! I was so proud of me.
But I had no way that I had patience for a doctorate, so they come in early 2016, I sat down with a notebook and planned my fifth novel. First, I set parameters - it had to be funny, but it could not be a romantic comedy. It had to have female characters, but it could not be a woman's fiction. It had to deal with social questions, but it had to be widespread. It would be my first novel in New Zealand. The assorted, I had no idea how to start.
Maeve Binchy rescued me. I remember many of her novels in a place, usually a small Irish village or a small Irish hotel in a small Irish village. She had a collection of characters, all with their own separate stories that are interconnected. I would steal this structure and make my own. How hard could it be?
So fuck hard! Six main characters, six individual handhelms that had to be woven in a coherent whole. I pulled it up with sticky notes and moved them so much that they lost their stick. But I wrote it - I wrote a first draft of Gabriel's bay and sent it to my publisher in September. And waited.
February. The acquisition team meet. My editor had liked the design, but it was not at her. She had kindly transirculated it under the team before Christmas, hoping that she had read it when she was in a good mood in summer and thus tended to say yes. She himself tended to believe that she would not be with my Shite sales record. "But fingers crossed!"
The managing director of the time saved me. She loved it and insisted that it was released. A date was set - January of the following year. Eleven months away.
Gabriel's Bay was a completely new direction for me. I had no idea how it would receive. Of course, of course, I spent the 11 months to write a sequel.
January Gabriel's Bay came out. It has great reviews. Even more important is that it was sold well. My publisher accepted the sequel and what they wish came in January 2019. Number three, spellbound, came out last month. The two-year gap was not associated with Covid, but the fact that I had to almost completely rewrite. My editor wanted it to be the third of a trilogy with the threads of the main history. I had it next book in what could be a running series, and all story threads are loose. Note to Self: Always check with your editor before spending a large piece of your year to write 100,000 words. Watch me carefully, children and whatever I do to do the opposite.
But Spellbound is out and I'm satisfied with it. I am satisfied with all three Gabriel's bay books. I stepped up my author game - to the point where a prominent reviewer called "deceptively well written". Although this is funny in a way - nobody ever has to know !! - It's a compliment and I take it.
I will return to the bay of Gabriel? Not immediately. There are aspects of these books that are now more problematic than I started. If I have created the fictional small town of Gabriel's Bay a diverse community, I have written characters that are not of my culture and the living experience - and while I was sure that I was the best of really with you by really doing the services Gorgeous sensitivity consultants used, M a Pakeh middle-aged and these stories do not belong to me.
What next, then? Another step on, because why do life make it easy? A book about young men and cycling in the 1970s Wainuiomata. I have done a lot of research and interviews, and I have no idea how to start. Bring the sticky notes.
Spellbound, from Catherine Robertson (Rhnz Black Swan, $ 36), is available from Unity Books Auckland and Wellington.
The spinow review of the books is named by Unity Books , recently 2020 International Book Store of the Year, London Book Fair, and creative on New Zealand. Visit the Unity Books Wellington or Unity Books Auckland online shops today.
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